Overpass SUV

Create a photorealistic street photography image shot from outside the driver-side window of a modern black SUV parked under a concrete highway overpass. The perspective uses an ultra wide-angle / fisheye lens effect with strong barrel distortion, natural vignetting, and cinematic compression of space. The scene shows two men inside a brown leather interior. The main subject sits in the front seat closest to the camera, captured through the window at close range. He has a neutral, confident expression and wears dark sunglasses with strong reflective glare. His outfit is a dark green/black and gold sports jersey with bold yellow lettering on the sleeve, rendered with realistic fabric texture and stitching. Facial identity must match the provided reference exactly (preserve facial proportions, nose, lips, jawline, and overall identity with high fidelity). A second subject sits in the back seat wearing matching sunglasses and a similar coordinated jersey, posed casually and naturally. An open laptop is visible near the center console or passenger area, adding realism and lifestyle context. Lighting is dramatic and cinematic: low golden-hour sunlight cuts through the overpass structure and car windows, producing high-contrast beams, deep interior shadows, and warm highlights on skin, fabric, and leather surfaces. Shadows are tinted slightly teal-green from ambient urban bounce light, while highlights remain warm and golden. The composition is crisp and focused primarily on the front subject, with shallow depth of field emphasizing facial detail, sunglasses reflections, and jersey texture. The car interior remains detailed but secondary, with realistic reflections on glass and subtle distortion from the wide-angle lens. Overall aesthetic is cinematic urban street realism with subtle film grain, high dynamic range, and documentary-style authenticity. No stylization, no beauty smoothing, and no artificial plastic skin effects—only natural photographic imperfections and real-world lighting behavior.