

For most YouTube uploads, export MP4 with H.264 video and AAC-LC audio. Keep the source frame rate. A practical SDR starting point is 1080p at 8 Mbps for 24–30 fps or 12 Mbps for 48–60 fps. Use 16:9 for a conventional horizontal video and 9:16 for a full-screen vertical Short.
MP4 is the container; H.264 is the video codec inside it. Changing the filename to “.mp4” does not convert an incompatible file or improve its picture quality.
Setting | Recommended starting point |
|---|---|
Container and video codec | MP4, H.264 High Profile |
Scan and bitrate mode | Progressive, variable bitrate |
Frame rate | Match the recording |
SDR color | BT.709 |
Audio | AAC-LC, 48 kHz; 384 kbps stereo |
Horizontal canvas | 1920 × 1080 for a 1080p video |
Vertical canvas | 1080 × 1920 for a 1080p Short |
Checked September 10, 2026 against YouTube's encoding recommendations. Its technical reference also specifies CABAC, 4:2:0 chroma, and a closed GOP. Use your editor's matching preset, then inspect the exported file.
SDR resolution | 24, 25, or 30 fps | 48, 50, or 60 fps |
|---|---|---|
720p | 5 Mbps | 7.5 Mbps |
1080p | 8 Mbps | 12 Mbps |
1440p | 16 Mbps | 24 Mbps |
2160p / 4K | 35–45 Mbps | 53–68 Mbps |
4320p / 8K | 80–160 Mbps | 120–240 Mbps |
These are YouTube's recommended upload rates for SDR video, not the bitrate every viewer receives. HDR has a separate table in the linked reference. A larger bitrate cannot restore detail that was absent from the source.
For an estimate in decimal megabytes, multiply the average total bitrate in Mbps by the duration in seconds, then divide by eight. Variable bitrate makes this approximate.
A ten-minute export averaging 8 Mbps video plus 0.384 Mbps audio is about 629 MB: 8.384 × 600 ÷ 8. At 12 Mbps video with the same audio, it is about 929 MB. Container overhead can add a little more. This calculation helps you plan an upload without assuming that every 1080p file has the same size.
Format | When it is useful | What to check |
|---|---|---|
MP4 with H.264 | A straightforward delivery file from most editors | Resolution, bitrate, frame rate, and audio settings |
MOV | An existing camera or editing export | MOV is a container; inspect the codec inside it |
HEVC / H.265 | A compatible workflow already producing HEVC | Local playback and editing support, plus export time |
WebM | A workflow that already produces a supported WebM file | Whether your editor can use it without another conversion |
ProRes or DNxHR | A professional master you already maintain | Much larger uploads may add time without a useful benefit for your project |
YouTube lists these among its supported formats. Keep the original master. If a supported file already looks good, do not repeatedly transcode it just to change containers; another lossy encode can discard information.
Avoid advice that promises a particular playback codec or a better ranking just because you upload at 1440p, 4K, or AV1. Choose the export for your actual footage and inspect the processed result. This guide does not establish a universal codec-quality winner from an independent benchmark.
Current Shorts can be up to three minutes long. For standard channels, square or vertical videos uploaded on or after October 15, 2024 are categorized as Shorts when they meet that duration limit. Official Artist Channels have a different transition date, December 8, 2025. A new eligible two-minute vertical upload does not need to be manually designated as a Short.
Use 9:16 for a full-screen vertical composition; square videos can also qualify. Keep the important subject and text within the visible frame when previewing on a phone. Reframe a horizontal shot deliberately rather than stretching it vertically.
YouTube also says Shorts longer than one minute with an active Content ID claim are blocked globally. Check the current three-minute Shorts rules and use audio you are entitled to include. The maximum duration is an eligibility rule, not a recommendation to make every Short three minutes long.
If you record gameplay or tutorials in OBS, choose a recording format that suits both recovery and editing. OBS documents MKV recording with a later remux to MP4, and current versions also offer resilient Hybrid MP4/MOV formats. The appropriate choice depends on your version and workflow.
To repackage a compatible MKV recording, use File → Remux Recordings in OBS. Remuxing changes the container without re-encoding the media; it does not increase resolution or remove compression already present. See OBS's recording guide and Hybrid MP4 explanation.
Keep the original recording until you have confirmed the exported video contains every required audio track and plays correctly in your editor.
Check whether HD processing has finished before exporting again. YouTube makes a lower-quality version available first, and higher resolutions can take longer. Open the video's watch page and inspect Settings → Quality. If the intended resolution is missing, processing may still be underway. YouTube explains this processing sequence here.
If HD is available and the result still looks wrong, compare the same frame in your local export and the YouTube player. A blurry local file points to the source or export; a sharp local file needs a closer check of playback quality and processing. Avoid spending credits regenerating footage before locating the problem.
Problem | First check |
|---|---|
Missing 1080p or 4K option | Wait for high-resolution processing and check a supported browser/device |
Black bars around the picture | Inspect the source and timeline; do not bake unnecessary padding into the export |
Wrong colors | Check SDR/HDR settings and metadata throughout the project |
Audio out of sync | Compare audio and video duration in the local export |
Audio disappears on a phone | Check mono compatibility and the exported audio mix |
“Invalid file format” | Export a supported media file; do not upload the editor's project file |
For synchronization, color, and audio issues, follow YouTube's upload troubleshooting guidance.
Watch the complete export once: opening, speech, captions, transitions, and final frame. A technically valid upload can still have a missing line or an unreadable label. Upload as unlisted first when you want to inspect the processed versions before publication.
If your edit needs a short visual from a still image, start with Magic Hour Image-to-Video, then assemble the selected clip in your timeline. For styled captions on a short clip, try the auto subtitle generator and review the words in the finished output. These address missing footage or captions; they do not fix YouTube's processing queue.
After choosing an export format, compare creation workflows in the best AI video generators for YouTube Shorts and the AI tools for YouTubers guide.
MP4 with H.264 is a practical default. MOV can also work. The codec, source quality, and export settings matter more than the extension by itself.
Keep the source frame rate unless your edit has a deliberate reason to convert it. Exporting a 30 fps clip at 60 fps does not create additional captured motion detail.
An audio-only MP3 is not a video upload. Combine your audio with a visual in an editor and export a supported video file. For generated visuals that accompany an audio track, explore Magic Hour Audio-to-Video and review the resulting video before uploading.
No. Keep a good original and compare whether upscaling improves the actual deliverable. Enlarging a soft or distorted image is not a reliable way to recover missing detail, and a bigger upload can take more time to process.
